Kintamani is a tourist area of natural awe in Bali, Indonesia. Sources said about Batur is Lontar Kesmu Gods. Lontar Papyrus Usana Bali and Raja Purana Batur. Mentioned that Pura Batur has existed since the time of the professor Kuturan X century until the beginning of the XI century. The extent of the area and the many shrines-pelinggih it is predicted that the Pura Batur is Penyiwi kings who ruled in Bali, as well as a heaven Jagat. At Pura Batur diistanakan Dewi Danu is mentioned in the Papyrus Usana Bali which translates as follows:
3.3.7 Garuda Wisnu Kencana
Garuda Wisnu Kencana, appears to be the largest mega project that is being built in Bali. Imagine, a plan to build 146 meter tall statue with eagle wingspan wide by 66 meters was estimated to have weighed 4000 tons. Made using a mixture of copper and brass in certain parts to be coated with gold mosaic. Currently most of the statue can be seen at the site in the form of half-body statue of the god Vishnu and the head of an eagle. When I visited it to localized, was also stunned at the size of an eagle's head that was really huge. It's hard to imagine forms later this eagle as a whole, which would be very huge. Aja adult body size, apparently still lost big / tall compared to the size of an eagle's ear. Rather strange indeed to see the birds that have ears, but all is possible in the world of puppet.
Around the site, it is clear the rocks rock / reef cut vertically to form the walls of the stands with green grass on the bottom. The middle of a road made of conblock (?) Divides the lawn from the rear to the fore eagle statue. Of the existing broad look at all that this area will be able to accommodate tens of thousands of visitors, very suitable for use as a cultural center of international performances.
Construction of the statue in the form of Lord Vishnu (the god savior for Hindus) who was driving a mythical bird Garuda, inspired by the story of the episode Adi Parwa Garuda with devotion and sacrifice to save his mother from the shackles of slavery to serve the Lord Vishnu is the vehicle. The story of the legend is clearly engraved on the sides of the temple which is in the district Left Malang. Garuda Wisnu Kencana statue is expected to stimulate the dynamics of physical and spiritual values, as well as the balance between scale and noetic (real and unreal) thus harmonizing nature can create. Garuda Wisnu Kencana statue is a symbol of the mission of saving the environment and saving the world.
Unfortunately sculpture artist named Nyoman Nuarta bali is in a phase of development has been the dietetapkan off target. The original plan all parts of the statue will be completed by 2005, but until this article made signs of the completion of the mega project is still far from expectations. Financial difficulties may be a major obstacle to forward this international mega-scale projects. Yes, the funds needed to complete it certainly is not small, while the nation itself is still in need of funds big enough to build our beloved country
Located high above the limestone dataraan padas and stared dipesisir southern tourist areas of Bali, Garuda Wisnu Kencana Cultural Park is a window of art and culture that the island has a natural background and a very amazing panorama. With the distance 15 minutes from Airports and less than an hour from major hospitality locations, GWK be one of the main objectives for various art performances, exhibitions and conferences or a relaxing visit even spiritual visit. The statue is the work of the famous sculptor Bali, I Nyoman Nuarta. The monument was developed as a cultural park and become an icon for tourism in Bali and Indonesia.
An area of 250 hectares summarize the cultural arts events, venues and other culinary services. As the palaces of Bali in antiquity, the visitor will see the splendor of GW K kekhusukan monumental and spiritual which are all enhanced with a touch of modern facilities and services appropriate. Although you come as part of the thousands of visitors to a cultural event or just alone to enjoy light refreshments and drinks while watching the sunset, you will feel the beauty of nature and culture and the hospitality of its people. Vishnu - Hindu symbol that represents the main force that dominates the universe maintainer of this region. Manifested as a giant sculpture made of brass and copper with a height reaching 22 meters, making this figure as the embodiment of a modern culture and ancient traditions. Being attached to them are Garuda - a large bird that became the vehicle of Lord Vishnu as the symbol of freedom as well as unconditional dedication.
It is the story, taking place in Marga Sari (months to V) time Krishna Forced (Tilem) tersebutlah Betara Pasupati in India are transferring the summit of Mount Maha Meru is divided into two, held with the left hand and right and then taken to Bali used as Putra sthana he is Betara Putrajaya (Exalted Supreme Deity) and peaks that brought his left hand became Mt Batur as sthana Betari Danuh, both as ulunya that island. Both mountain is a symbol of Purusa and Pradana element of Sang Hyang Widhi. Pura Batur is a place of worship Hindu Bali in Bali in particular the Middle East and North plead safety in the rice fields. Hence, in the trustee puja falls on Purnamaning to X (kedasa) of all the people, especially on all kelian subak, sedahan-sedahan come to Pura Batur deliver to "Suwinih". So if disaster strikes pests.
Tourism potential of this area is a scenic mountainous area that is very unique and amazing. After approximately 2 hours drive from the city of Denpasar we will arrive in the region, precisely at a place called Penelokan, in accordance with his name in bali which means a place to look is the most strategic location to enjoy the natural scenery tourist area this. Penelokan Kedisan located in the Village area, one of the villages in the district of Kintamani.
From Penelokan we can see spectacular scenery. combination of Mount Batur and its expanse of black stones with Lake Batur a blue crescent-shaped in a caldera which tourists said to be the most beautiful caldera in the world. Penelokan already have adequate infrastructure as tourist attractions, such as lodging and restaurants. From Penelokan we have two alternatives to continue the journey in Kintamani. First we can continue north toward the village of Batur. In this village we can visit one of the celestial universe temple in Bali called Pura Batur. This temple was originally located southwest of Mount Batur which is then removed along with the displacement of villagers to the top.
The second alternative we could come down to the center of the village for the next Kedisan crossing across the lake to an old village called Terunyan. In the village we could see Terunyan ancient civilization called Bali Bali aga. in this village of people who are dead are not buried but placed just beneath a tree. The bodies did not remove the smell at all. Sights located in the village of Batur Region Batur, Kintamani District The District of Bangli. sea surface temperature air cool air during the day and cold at night. These attractions can be traversed by vehicles, because it connects the city of Bangli location and the town of Singaraja. While the route objects, connecting objects with Object Region Tourism Travel Tampaksiring Batur and Besakih.
In Batur tourist areas available parking, restaurants, restaurant, lodging, toilet, telephone, as well as stalls drinks and snacks. Public transport facilities and transport crossings are also available. Batur tourist area visited by tourists and the archipelago. Visits are most prominent around August, December, while welcoming and Christmas Day, often visited by guests from both the central and guests from outside negeri.Tahun New and New Year atmosphere. Similarly, in the days of Galungan, Eid al-Fitr
3.3.5 Kuta Beach
Kuta Beach is a tourist place located south of Denpasar, capital of Bali, Indonesia. Kuta is located
Kuta Beach is a tourist place located south of Denpasar, capital of Bali, Indonesia. Kuta is located
in Badung. This area is a tourist destination abroad, and has become a mainstay tourist island of
Bali since the early 70's. Kuta Beach is often referred to as sunset beach (sunset beach) as
opposed to the Sanur beach.
In Kuta there are many shops, restaurants and places baths and drying herself. Besides the beauty of the beach, Kuta beach also offers various types of entertainment such as bars and restaurants along the beach to Legian beach. Rosovivo, Ocean Beach Club, Kamasutra, are some of the most crowded clubs along the beach of Kuta. This beach also has a pretty good waves for surfing sports (surfing), especially for novice surfers. Golf I Gusti Ngurah Rai Airport is located not far from Kuta.
3.3.6 Pura Besakih
Besakih Temple is a temple complex located in Besakih Village, Rendang district of Karangasem
Besakih Temple is a temple complex located in Besakih Village, Rendang district of Karangasem
regency, Bali, Indonesia. Besakih Temple complex consists of 1 Pura Center (Pura Agung Besakih
Penataran) and 18 Pura Companion (1 Pura Pura Basukian and 17 Others). At Pura Basukian, this
is the first time in the area where the receipt of God's revelation by Hyang Rsi Markendya,
forerunner of Hindu Dharma in Bali now, as its center. Pura Besakih is the center of all temples in
Bali. Among all pretend that included in the complex Pura Besakih, Pura Agung is the temple
Upgrading the largest, most buildings pelinggihnya, most types upakaranya and is the center and
all existing temples in Besakih complex. In general Penataran there are 3 main temple statue or
symbol of the nature of God stana Tri Murti, namely Brahma, Lord Vishnu and Lord Shiva which is
a symbol of God the Creator, Preserver and Dewa Dewa fuser / Reincarnation.
The physical presence of buildings Pura Besakih, not merely the abode of God, according to the belief of Hindu Dharma, the largest on the island, but in the background it is related to the meaning of Gunung Agung. The highest mountain on the island of Bali which is believed to be the center of Government Nature Spirits, The Nature of Gods, the messenger of God to the island of Bali and about. So it is fitting that on the slopes of Mount Agung Southwest created a building for the sanctity of the human race, Pura Besakih meaningful philosophical.
Terkadung philosophical meaning in Pura Besakih in its development contains cultural elements which include:
1. Knowledge systems,
2. Life equipment and technology,
3. Social organizations,
4. Livelihood of life,
5. Language system,
6. Religion and ceremonies, and
7. Art.
2. Life equipment and technology,
3. Social organizations,
4. Livelihood of life,
5. Language system,
6. Religion and ceremonies, and
7. Art.
The seven elements of culture is embodied in the form of cultural ideas, a form of cultural activity, and the form of material culture. It has appeared both in the pre-Hindu and the Hindu who has experienced growth through mythic stage, stage ontology and functional stages. Pura Besakih as the object of research related to the social and cultural life of the people residing in Karangasem regency of Bali. Based on a study, the physical building Pura Besakih has evolved from pre-Hindu culture with evidence of the menhir, punden staircase steps, statues, which grew into the building in the form of Meru, shrines, ancestral, or Padmasana as a result of the Hindu culture.
Background The presence of physical buildings Pura Besakih on the slopes of Mount Agung is a place of worship to worship the mountain god conceived as a palace of the supreme God. At the stage of human functional Balinese man finds himself as homo religious and have religious culture that is social, the cultural concerns of activity is always associated with the teachings of Hinduism.
In the culture of the Balinese Hindu community, was the meaning of Pura Besakih identified as part of the development of the social culture of the Balinese began pre-Hindu is heavily influenced by changes in the elements of culture that flourished, thus affecting cultural change in the form of ideas, a form of cultural activity and cultural form material. The amendment to relates .
Background The presence of physical buildings Pura Besakih on the slopes of Mount Agung is a place of worship to worship the mountain god conceived as a palace of the supreme God. At the stage of human functional Balinese man finds himself as homo religious and have religious culture that is social, the cultural concerns of activity is always associated with the teachings of Hinduism.
In the culture of the Balinese Hindu community, was the meaning of Pura Besakih identified as part of the development of the social culture of the Balinese began pre-Hindu is heavily influenced by changes in the elements of culture that flourished, thus affecting cultural change in the form of ideas, a form of cultural activity and cultural form material. The amendment to relates .
Tattwa ran concerning the concept of God, Tata-moral teachings that govern how the Hindus in bertingka behavior, and teaching is a setting in the ceremony ritual activities of people offering to her Lord, so that the three teaching is a unity in the teachings of Hindu Dharma in Bali .
Pura Agung Besakih still holds the previous concept, which consists of 18 temples pakideh (support) which is an integral ritual procession to the central point in the Pura Agung Besakih upgrading. Four of the 18 temples pakideh was designated its status as Lokapala Chess temple depicting the four manifestations of God in the four winds. The four temples are Pura Batu Madeg occupies the north as sthana Lord Vishnu, the temple occupies the south Kiduling Kreteg as Brahma sthana, Dark Temple occupies the east as sthana Icwara Gods and Ulun Kulkul occupies the west as sthana Lord Mahadeva.
Agung Besakih temple region following pakideh temple occupies a fairly wide area within a radius of about 3 kilometers to the downstream side Pasimpangan Pura Pura Pangubengan and on the upstream side. At Purnama Kadasa every year, at a ceremony held Pura Agung Besakih Lord Snow Kabeh, often referred to as Ngusaba Kadasa. The ceremony coincided with the ceremony at the Pura Batur Ngusaba Kadasa occupy both symbols in the concept of purusa and pradana Bhineda RWA.
Pura Agung Besakih still holds the previous concept, which consists of 18 temples pakideh (support) which is an integral ritual procession to the central point in the Pura Agung Besakih upgrading. Four of the 18 temples pakideh was designated its status as Lokapala Chess temple depicting the four manifestations of God in the four winds. The four temples are Pura Batu Madeg occupies the north as sthana Lord Vishnu, the temple occupies the south Kiduling Kreteg as Brahma sthana, Dark Temple occupies the east as sthana Icwara Gods and Ulun Kulkul occupies the west as sthana Lord Mahadeva.
Agung Besakih temple region following pakideh temple occupies a fairly wide area within a radius of about 3 kilometers to the downstream side Pasimpangan Pura Pura Pangubengan and on the upstream side. At Purnama Kadasa every year, at a ceremony held Pura Agung Besakih Lord Snow Kabeh, often referred to as Ngusaba Kadasa. The ceremony coincided with the ceremony at the Pura Batur Ngusaba Kadasa occupy both symbols in the concept of purusa and pradana Bhineda RWA.
As described in Awig-Awig traditional village Besakih, Lord Snow Kabeh ceremony was the end of a long series of about 120 large and small ceremony that takes place on a regular basis every six months and one year in the 18 temples that belong in the temple pakideh in the Pura Agung Besakih. Various shaft and ngusaba pakideh Besakih temple covered with Tawur Labuh Gentuh in Bancingah Court on Sasih Kasanga. Gentuh Labuh procession continues with preparations to appropriate the full moon ceremony held Kadasa Lord Dropped Kabeh offerings. Unlike the Supreme Tawur taking place in Bancingah General, Lord Snow peak Kabeh only ceremony held at Pura Agung Besakih upgrading.
Pura Batu Madeg as one of the temples located in the north Chess Lokapala Penataran Agung Besakih. Called Pura Batu Madeg because the temple there is a stone upright. "Stone Madeg 'or' rock ngadeg '(Balinese) means stone or rock standing upright. In the days of megalithic culture, these standing stones called menhirs anyway. Meru Eleven Overlapping with Stone Madeg in it is the main shrines in the Pura Batu Madeg. At Pura Batu Madeg five shrines are Meru, located on the east side temple area viscera, lined from north to south. On the north side there are two Meru Tumpang Nine. The most northern is palinggih Ida Manik Angkeran while on the southern palinggih Ida Ratu Mas Buncing. In the south palinggih Ida Ratu Mas Buncing is Meru Eleven Overlapping in which there is 'stone Madeg'. Meru is the ultimate palinggih as stana Batara Sakti worship stones as a manifestation of Vishnu Madeg.
To the south there Palinggih Meru Eleven Overlapping functions as palinggih Ida Batara Good Bebotoh. In the far south the Meru Eleven Overlapping as Manik Bungkah palinggih Queen Ida.
To the south there Palinggih Meru Eleven Overlapping functions as palinggih Ida Batara Good Bebotoh. In the far south the Meru Eleven Overlapping as Manik Bungkah palinggih Queen Ida.
In front of Meru there Solas Overlapping palinggih palinggih congregation is rectangular shaped with sixteen poles lined up two rows. Palinggih this congregation to serve as a down to earth symbolically uniting all the forces of Vishnu as the maintainer and protector of the universe of God's creation. On the right side there is a congregation palinggih palinggih Sedahan Ngerurah with a phallus as pralingga worship of Lord Shiva. Next to Meru palinggih nice queen Bebotoh are palinggih Pepelik stana Batara Gana.Di door or offal pamedal palinggih temple there called pegat Hall Poster eight with two separate halls. In addition to routine ceremony held once every 6 months, at Temple Batumadeg also held a special ceremony, which Usabha Flush which for 2009 was held on the full moon Kalima November 2, 2009 and the ceremony Aci shade Bayu Tilem Kalima held on November 17, 2009. Besakih establishment with diapstikan certainly can not, but based on the record-record contained an inscription in metal and can lontar disimpulakn that this temple was originally a small building shrines were then enlarged and expanded gradually over a long time. From other sources it is known that the record, at the beginning of the eleventh century that the year 1007 already Besakih, which at the time of the reign of Airlangga in East Java (1019-1042) and became masters Kuturan senapati in Bali, located in Silayukti Padangbai karangasem district.
Empu Kuturan enlarge and expand by building shrines Besakih-shrines, meru-meru shrines in Java replicate buildings as there is today. Another source said that the Maha Rsi Markandeya moved with his entourage as: 8000 people from Rawung mountain in East Java to Bali to settle down and open agricultural lands and establishing Besakih begging for a safety and livelihoods by planting Panca Datu as those expressed above. Then the next period of the reign of Sri Wira Kesari Warmadewa until the reign of Dalem Waturenggong. Pura Besakih still get good care in the sense pelinggih-pelinggihnya repaired, expanded their area even by dhang Hyang Dwijendra (Rauh Wawu) coupled with three shrines bear is now contained in Penataran Agung Besakih on the days around the 16th century in the reign of Dalem Waturenggong Bali. Furthermore, to date Pura Besakih is the largest temple in Bali, is the central place of worship for Hindus in Indonesia and in the management of Hindu Dharma Center Parisadha. Also helped by the foundation Prawartaka Pura Agung Besakih, with help from the local government level of Bali, local government level II as Bali and all walks of Hindu Dharma. Besakih group consists of 18 pieces temple located in the village of Besakih and one is located in the village area Sebudhi Strait district, Karangasem regency. The location of the temples was a row from south to north are as follows:
1. Pura intersection.
It is in the village of Kedungdung, in the middle of the field about 1.5 km. South side Penataran Pura Agung is small. In this temple terdapay 4 pieces of buildings and shrines. Its function as a crossroads while Bethara Besakih, when held Melasti ceremony (looking toya ning) to Toya Sah, the Holy Tegal or to Batu klotok performed each year.
It is in the village of Kedungdung, in the middle of the field about 1.5 km. South side Penataran Pura Agung is small. In this temple terdapay 4 pieces of buildings and shrines. Its function as a crossroads while Bethara Besakih, when held Melasti ceremony (looking toya ning) to Toya Sah, the Holy Tegal or to Batu klotok performed each year.
2. Pura Dalem Puri
Teletak the north bend of the last, before arriving at the village of Besakih approximately 1 km South East of Pura Agung Besakih upgrading. In this temple there are 10 buildings including thatched roofed ancestral shrines shaped. Function as Linggih goddess Uma and the Goddess Durga, is also present in the temple shrines Sang Hyang Prajapati as ruler of the spirit of man. To the north there is a field called tegal Penagsar.
Teletak the north bend of the last, before arriving at the village of Besakih approximately 1 km South East of Pura Agung Besakih upgrading. In this temple there are 10 buildings including thatched roofed ancestral shrines shaped. Function as Linggih goddess Uma and the Goddess Durga, is also present in the temple shrines Sang Hyang Prajapati as ruler of the spirit of man. To the north there is a field called tegal Penagsar.
3. Pura Manik Mas
Located dipinggiran left of the road leading to Penatharan Pura Agung, a distance of approximately 750 meters to the south Penataran Court. There are 6 pieces DiPura banguna and shrines, including the shape of the building principal shrines store, Poster emapt facing west. Function as Linggih Ida Ratu Mas Putting.
Located dipinggiran left of the road leading to Penatharan Pura Agung, a distance of approximately 750 meters to the south Penataran Court. There are 6 pieces DiPura banguna and shrines, including the shape of the building principal shrines store, Poster emapt facing west. Function as Linggih Ida Ratu Mas Putting.
4. Build Pura Way
Located right next to the road leading to the Court and to the north Penataran Pura Manik Mas. In the temple there were four buildings and shrines. Principal shrines there is gedong Save, as Linggih Sang Hyang Ananthaboga.
Located right next to the road leading to the Court and to the north Penataran Pura Manik Mas. In the temple there were four buildings and shrines. Principal shrines there is gedong Save, as Linggih Sang Hyang Ananthaboga.
5. Ulun Kulkul
Located approximately 350 meters left of the road leading Penataran Court. In this temple there are seven buildings and shrines. The most important shrines there is Gedong Sari thatched roofed, as Linggih god Mahadeva. Pura is one of the Loka Phala Linggih Chess God, the manifestation Sang Hyang Widhi which controls the west. Color or fashion jewelry at Temple, at the time the ceremony, used yellow fabric store
Located approximately 350 meters left of the road leading Penataran Court. In this temple there are seven buildings and shrines. The most important shrines there is Gedong Sari thatched roofed, as Linggih god Mahadeva. Pura is one of the Loka Phala Linggih Chess God, the manifestation Sang Hyang Widhi which controls the west. Color or fashion jewelry at Temple, at the time the ceremony, used yellow fabric store
6. Pura merajan Selonding
located left diseblah Penataran General, there are five buildings and shrines. In the temple was saved and images-images of the inscriptions, and also stored gambelan slonding. According to the temple's history is part of the former royal palace named Sri Wira Dalem Kesari. Now the temple is its function as a repository of objects heirloom.
located left diseblah Penataran General, there are five buildings and shrines. In the temple was saved and images-images of the inscriptions, and also stored gambelan slonding. According to the temple's history is part of the former royal palace named Sri Wira Dalem Kesari. Now the temple is its function as a repository of objects heirloom.
7. Pura Gowa
Located on the right way to deal with Pura merajan Slonding, Gowa dikomplek that there are great, but many parts are collapsed. According to folk belief, it is transparent to the Gowa Gowa Lawah, the east Kusamba, as Gowa to Sang Hyang Basuki. In the temple there were four shrines.
Located on the right way to deal with Pura merajan Slonding, Gowa dikomplek that there are great, but many parts are collapsed. According to folk belief, it is transparent to the Gowa Gowa Lawah, the east Kusamba, as Gowa to Sang Hyang Basuki. In the temple there were four shrines.
8. Pura Banuwa
Located right next to the road in front of Pura Besakih, approximately 50 meters from the Great Penataran. In this temple there were four principal buildings and shrines in the temple worship was directed to Dewi Sri, and every sasih kepitu (sometime in January). There ceremony was held Ngusaba Ngeed and Reed Ngusaba aimed please prosperity in the fields and in the fields.
Located right next to the road in front of Pura Besakih, approximately 50 meters from the Great Penataran. In this temple there were four principal buildings and shrines in the temple worship was directed to Dewi Sri, and every sasih kepitu (sometime in January). There ceremony was held Ngusaba Ngeed and Reed Ngusaba aimed please prosperity in the fields and in the fields.
9. Pura Mrajan Kanginan
Located in the east of Temple Banuwa, in that there are seven bauh Temple buildings and shrines. There is a pelinggih to master Bradah.
Located in the east of Temple Banuwa, in that there are seven bauh Temple buildings and shrines. There is a pelinggih to master Bradah.
10. Pura Hyang Aluh
Located next to the Great West Penataran a distance of approximately two hundred meters. Inside there are seven banguanan and shrines. Principal shrines in this temple-shaped Gedong to Linggih Ida Ratu Ayu.
Located next to the Great West Penataran a distance of approximately two hundred meters. Inside there are seven banguanan and shrines. Principal shrines in this temple-shaped Gedong to Linggih Ida Ratu Ayu.
11. Pura Basukihan
It is located to the right of the stairs leading up Penataran Agung, there are ten buildings and shrines. Pelinggih principally berbenuk meru with nine terraced roof, as Linggih Sang Hyang Naga Basuki.
It is located to the right of the stairs leading up Penataran Agung, there are ten buildings and shrines. Pelinggih principally berbenuk meru with nine terraced roof, as Linggih Sang Hyang Naga Basuki.
12. Pura Agung Besakih Penataran
Located in the middle of the temple, including the Pura Besakih. Penataran complex Pura Besakih, including the largest in the complex Pura Besakih. Consisting of seven levels of pages by the number of buildings and shrines entirely as many as 53 pieces. There are a large meru covered seven levels 11,9,7,5,3. Shrines which are the principal worship there, is Padma Three as Linggih Sang Hyang Widhi manefestasinya Wasa in the Tri Purusa is Ciwa, Sadha and Parama Ciwa Ciwa which constitute axis of the other temples.
Located in the middle of the temple, including the Pura Besakih. Penataran complex Pura Besakih, including the largest in the complex Pura Besakih. Consisting of seven levels of pages by the number of buildings and shrines entirely as many as 53 pieces. There are a large meru covered seven levels 11,9,7,5,3. Shrines which are the principal worship there, is Padma Three as Linggih Sang Hyang Widhi manefestasinya Wasa in the Tri Purusa is Ciwa, Sadha and Parama Ciwa Ciwa which constitute axis of the other temples.
13. Pura Batu Madeg
Located approximately 150 meters on the right (north) Penataran Court. This temple is a large temple complex, and there are 29 pieces of buildings and shrines, the shrines essentially shaped thatched roofed roofed meru eleven. This building is Linggih Lord Vishnu as manefestasi Sang Hyang Widhi, which controls the direction north. Color of clothing in the temple are all in black.
Located approximately 150 meters on the right (north) Penataran Court. This temple is a large temple complex, and there are 29 pieces of buildings and shrines, the shrines essentially shaped thatched roofed roofed meru eleven. This building is Linggih Lord Vishnu as manefestasi Sang Hyang Widhi, which controls the direction north. Color of clothing in the temple are all in black.
14. Pura Kiduling Kreteg
Located approximately 300 meters to the left (south) Penataran General, daitas a hill. Inside there are 21 pieces of buildings and Pelinggih. Pelinggih base the rate of eleven roofed meru big as the Brahma Linggih manefestasi of Sang Hyang Widhi as ruler of the south. Temple complex is a large temple complex is almost as large as the complex Pura Batu Madeg. Color of clothing in the temple Red color.
Located approximately 300 meters to the left (south) Penataran General, daitas a hill. Inside there are 21 pieces of buildings and Pelinggih. Pelinggih base the rate of eleven roofed meru big as the Brahma Linggih manefestasi of Sang Hyang Widhi as ruler of the south. Temple complex is a large temple complex is almost as large as the complex Pura Batu Madeg. Color of clothing in the temple Red color.
15. Pura Dark
Kuranglebih located on a hill 600 meters east Penataran Court. Inside there are six buildings and shrines. Roofed meru shrines are essentially 3 as Linggih god Isawara the manefestasi Sang Hyang Widhi as rulers towards the east. Pura fashion colors are all-white color.
Kuranglebih located on a hill 600 meters east Penataran Court. Inside there are six buildings and shrines. Roofed meru shrines are essentially 3 as Linggih god Isawara the manefestasi Sang Hyang Widhi as rulers towards the east. Pura fashion colors are all-white color.
16. Pura Supplied
Located approximately 1 mile on the right Penataran Court on a hill in which there are twelve pieces of buildings and shrines. Palin principal shrines there shaped roofed meru professor level eleven places Kuturan begged blessing Sang Hyang rqangka Widhi in a ceremony at Mount Agung.
Located approximately 1 mile on the right Penataran Court on a hill in which there are twelve pieces of buildings and shrines. Palin principal shrines there shaped roofed meru professor level eleven places Kuturan begged blessing Sang Hyang rqangka Widhi in a ceremony at Mount Agung.
17. Pura Pengubengan
It is located 1.5 km to the north Penataran Court, in which there are six buildings and shrines. Its function as a "Ngayat or ngubeng" is a proclamation ceremony to Sang Hyang widhi that Penataran Agung ceremony will be held. Pelinggih roofed meru essence there are eleven levels.
It is located 1.5 km to the north Penataran Court, in which there are six buildings and shrines. Its function as a "Ngayat or ngubeng" is a proclamation ceremony to Sang Hyang widhi that Penataran Agung ceremony will be held. Pelinggih roofed meru essence there are eleven levels.
18. Pura Tirtha
It is located approximately 300 meters northeast adjacent to Pura Pengubengan. There were two buildings and shrines and holy water (tirtha). If there is a ceremony in the complex Pura Besakih, Pura is then begged tirtha (holy water).
It is located approximately 300 meters northeast adjacent to Pura Pengubengan. There were two buildings and shrines and holy water (tirtha). If there is a ceremony in the complex Pura Besakih, Pura is then begged tirtha (holy water).
19. Pura Pasar Agung
It is on the slopes of Mount Agung, through the village to village Sebudi strait, then climbing roughly four-hour hike to the north. Pelinggihnya all destroyed when Mount Agung erupted in 1963, and by the work of Eka Dasa Rudra in Besakih has begun gradually improved until now. Apart from the aforementioned Pura Besakih around, there are many more temples Pedharman, who became penyiwaan citizens but in reality can not be separated by Pura Agung Besakih itself.
It is on the slopes of Mount Agung, through the village to village Sebudi strait, then climbing roughly four-hour hike to the north. Pelinggihnya all destroyed when Mount Agung erupted in 1963, and by the work of Eka Dasa Rudra in Besakih has begun gradually improved until now. Apart from the aforementioned Pura Besakih around, there are many more temples Pedharman, who became penyiwaan citizens but in reality can not be separated by Pura Agung Besakih itself.
3.3.7 Garuda Wisnu Kencana
Garuda Wisnu Kencana, appears to be the largest mega project that is being built in Bali. Imagine, a plan to build 146 meter tall statue with eagle wingspan wide by 66 meters was estimated to have weighed 4000 tons. Made using a mixture of copper and brass in certain parts to be coated with gold mosaic. Currently most of the statue can be seen at the site in the form of half-body statue of the god Vishnu and the head of an eagle. When I visited it to localized, was also stunned at the size of an eagle's head that was really huge. It's hard to imagine forms later this eagle as a whole, which would be very huge. Aja adult body size, apparently still lost big / tall compared to the size of an eagle's ear. Rather strange indeed to see the birds that have ears, but all is possible in the world of puppet.
Around the site, it is clear the rocks rock / reef cut vertically to form the walls of the stands with green grass on the bottom. The middle of a road made of conblock (?) Divides the lawn from the rear to the fore eagle statue. Of the existing broad look at all that this area will be able to accommodate tens of thousands of visitors, very suitable for use as a cultural center of international performances.
Construction of the statue in the form of Lord Vishnu (the god savior for Hindus) who was driving a mythical bird Garuda, inspired by the story of the episode Adi Parwa Garuda with devotion and sacrifice to save his mother from the shackles of slavery to serve the Lord Vishnu is the vehicle. The story of the legend is clearly engraved on the sides of the temple which is in the district Left Malang. Garuda Wisnu Kencana statue is expected to stimulate the dynamics of physical and spiritual values, as well as the balance between scale and noetic (real and unreal) thus harmonizing nature can create. Garuda Wisnu Kencana statue is a symbol of the mission of saving the environment and saving the world.
Unfortunately sculpture artist named Nyoman Nuarta bali is in a phase of development has been the dietetapkan off target. The original plan all parts of the statue will be completed by 2005, but until this article made signs of the completion of the mega project is still far from expectations. Financial difficulties may be a major obstacle to forward this international mega-scale projects. Yes, the funds needed to complete it certainly is not small, while the nation itself is still in need of funds big enough to build our beloved country
Located high above the limestone dataraan padas and stared dipesisir southern tourist areas of Bali, Garuda Wisnu Kencana Cultural Park is a window of art and culture that the island has a natural background and a very amazing panorama. With the distance 15 minutes from Airports and less than an hour from major hospitality locations, GWK be one of the main objectives for various art performances, exhibitions and conferences or a relaxing visit even spiritual visit. The statue is the work of the famous sculptor Bali, I Nyoman Nuarta. The monument was developed as a cultural park and become an icon for tourism in Bali and Indonesia.
The statue is a form of Lord Vishnu in Hinduism is God the Preserver (Sthiti), riding a Garuda bird. Figures can be seen in the story of Garuda Garuda & empire that tells the devotion and sacrifice of the bird Garuda to save his mother from slavery ultimately protected by Lord Vishnu. Area Garuda Wisnu Kencana Cultural Park is located at an altitude of 146 meters above the ground or 263 feet above sea level. This statue is projected to tie layout with visibility up to 20 km so that it can be seen from Kuta, Sanur, Nusa Dua to Tanah Lot. Garuda Wisnu Kencana statue is a symbol of the mission of saving the environment and the world. The statue was made from a mixture of copper and steel weighing 4,000 tons, with a height of 75 meters and a width of 60 meters. When construction is completed, the sculpture will be the largest statue in the world and beat the Statue of Liberty.
An area of 250 hectares summarize the cultural arts events, venues and other culinary services. As the palaces of Bali in antiquity, the visitor will see the splendor of GW K kekhusukan monumental and spiritual which are all enhanced with a touch of modern facilities and services appropriate. Although you come as part of the thousands of visitors to a cultural event or just alone to enjoy light refreshments and drinks while watching the sunset, you will feel the beauty of nature and culture and the hospitality of its people. Vishnu - Hindu symbol that represents the main force that dominates the universe maintainer of this region. Manifested as a giant sculpture made of brass and copper with a height reaching 22 meters, making this figure as the embodiment of a modern culture and ancient traditions. Being attached to them are Garuda - a large bird that became the vehicle of Lord Vishnu as the symbol of freedom as well as unconditional dedication.
Stone Gate - a few pieces of natural rock pillars as high as 25 feet are standing firm that will be inlaid with a variety of ornaments taken from the dramatic story of Ramayana inspired the Balinese performing arts. Carving sculptures background patterned relief sculpture puppet (Kayon or Mountains) is very typical of Bali and Java. Adjacent to the statue of Lord Vishnu found Somaka Parahyangan Giri, a sacred spring from which the water flows to the main content of minerals. The presence of water on top of a limestone hill padas is indeed a miracle and can not be explained by science, thus making it a spiritual visit and meditation. The water is believed to cure various diseases and has been used widely among locals in rain begging ritual in order to get a good harvest. The presence of highly evocative Parahyangan Somaka Giri instinct someone in search of enlightenment mind, physical and spiritual. With a relatively low rainfall but open to enjoy the tropical breezes, GWK owned facilities be very ideal. Amphitheatre with a capacity of 800 seats and first-class acoustic arrangements, an unparalleled place for art and cultural. Lotus Pond surrounded by stone pillars and rock background Garuda bird statue's head area with a capacity of 7500 people made it very dramatic for many great event. As the ceremony arena villages in Bali, Street Theatre is the perfect place for a variety of processions, fashion shows and various performances move. The place for the ideal social call is Plaza turtle, which has a capacity of up to 200 people. In addition, open to the public, Exhibition Gallery, which has an area of 200m2 10m2 open courtyard contained therein.
3.4 Visits to Tourist Attractions
In the implementation of the PLP STBA Yapari ABA Bandung were also invited to meyaksikan tourist attractions in Bali. Kenjungan tourist attraction adds full PLP visit to Bali. We were treated to the exciting attractions of both attraction kris barong dance, Kecak dance and others. What a stunning view of the attractions and interesting to come back to Bali.
3.4.1 Barong Keris Dance
Staging Barong and Keris Dance in the Batubulan Gianyar Bali. A Balinese culture and art performances are very interesting to watch. Barong dance describes the battle between good against evil. Barong is describing the virtues of ancient animals and Rangda are ancient animals that portray evil. Barong and the monkey was in a dense forest three masked men then appeared depicting three people who were making wine in the middle of the forest where his son had been eaten by a tiger. The three men were very angry and attacked the tiger (Barong) and in this fight between the nose of one of the three people were bitten by a monkey before.
Two dancers appear and they are the followers of Rangda was looking for followers Dewi Kunti who was on his way to meet Patihnya. Followers Dewi Kunti arrived. One of the followers of Rangda transfigured into a sort of Rangda demons and evil spirits entering the followers of Dewi Kunti that cause them can become angry. Both meet duke and together facing Dewi Kunti. Munculah Dewi Kunti and her son Sahadev. Dewi Kunti had promised to give Sahadev Rangda as victims. Actually Dewi Kunti did not have the heart to sacrifice his son Sahadev Rangda Rangda but a kind of vicious demon entered her causing Dewi Kunti can be angry and still intend to sacrifice his son to Patihnya to throw Sadewa into the forest and even this did not escape the duke possessed by evil spirits demons so that the governor having no sense of humanity led Sadewa into the woods and tied it in front of the Palace of the Rangda.
Lord Shiva came down and gave life to eternity Sahadev and events not known by Rangda. Then came Rangda for tearing up and kill Sahadev but can not be killed because of immunity granted by Lord Shiva. Rangda surrendered to Sahadev and begged to be saved so that he could go to heaven. This request was met by Sahadev. The Rangda gets heaven.
Kalika one of the followers of Rangda facing the Sadewa to be saved as well but rejected by Sahadev. This has led to fights and refusal Kalika transfigure into a boar. In the battle between a boar's Sahadev Sahadev against the victory. Then Kalika (wild boar) is turned into a bird but still defeated. And finally Kalika again transfigured into Rangda Rangda because magic is it can not kill him and Sahadev Sahadev finally transfigured into Barong, the same magic as the fight between Barong against Rangda is nothing to win and thus the fight and this fight goes on perennial between virtue against evil. Then comes the follower followers Barong each with a dagger who want to help in the battle against Barong and Rangda is they have not worked their magic paralyze the Rangda.
3.2.2 Kecak Dance
Kecak (pronunciation: / 'ke.tʃak /, roughly "KEH-chahk", an alternative spelling: Ketjak, Ketjack, and armpits), is a typical Balinese performing arts that was created in the 1930s and played mainly by men. This dance is performed by many (tens or more) male dancers who sat lined circle and with a certain rhythm called "cak" and raised both arms,
depicting the story of Ramayana when Rama's line of apes help fight Ravana. However, Kecak from sanghyang ritual, the dancers dance traditions will be in unconscious condition, to communicate with God or the spirits of the ancestors and then convey their expectations to the community.
The dancers were sitting in a circle is wearing plaid fabric like a chessboard their waist. Besides the dancers, there were other dancers who portray the characters of Ramayana as Rama, Shinta, Ravana, Hanuman and Sugriva. Kecak dance songs taken from the ritual dances sanghyang. In addition, the instrument is not in use. Only used kincringan imposed on foot of dancers who portray the characters of Ramayana. Around the 1930's Wayan modulus worked with German painter Walter Spies to create the Kecak Dance Trance and the tradition of the Ramayana story. Wayan modulus popularize this dance around the world with his Balinese dance troupe.
Kecak Trance ritual comes from, that is the tradition in which the dancers will be in unconscious condition for having communication with the gods, or spirits of the ancestors who then convey its expectations to the community. In the Kecak dance does not use musical instruments and only use kincringan worn on the feet of the dancers who portray the characters being the Ramayana. While the dancers were sitting in a circle wearing a checkered cloth wrapped around their waists. Kecak dance is in created in the 1930's by Wayan modulus and a German painter Walter Spies. This dance became popular when Wayan modulus with his Balinese dancers tour around the world to introduce the Kecak dance. Until now Kecak dance to dance the famous Balinese art.
CHAPTER IV
OBJECT OF TOURISM GOVERNANCE Besakih
4.1 Intoduction
In this special interest writer wants to lift the “Corporate Goverance Besakih Attraction”, this according to the author during a visit or a sense of PLP activities primarily in Pura Besakih attraction. The reason for the theme of corporate governance is the attraction during a visit Besakih Temple or during a visit atthe Pura Besakih felt the deficiency in governance although according to information from the tourist guide that governance Besakih temple is managed by the local governance of Karangasem regency. But the fact is there are still some things lacking from the management of tourist objects.
It’s no secret that Bali is a tourist destination for both international tourist and local trevelers. If the object tourist can provide a good service and statisfying or ayonone who visited the inevitable exixtence of the attraction would definitely crowded. In the development world, especially in the tourist attraction Besakih some authors raise issues of particular interest this time from of the illegal payments, the presence of the disease (Beggars), need for partnerships and promotions at Pura Besakih.
4.2 Charges for illegal
Problems encountered or perceived writer diving excursions to attractions Besakih temple is the illegal payments (Levies Liar) by the local community at Besakih this can make the discomfort of the tourist who visit. Imagine the people that make use of the attractive extortion fee Rp. 20,000 (twenty thousand dollars) one person if you want to visit and get around all of the area if there are 100 temples Besakih travelers how many illegal payment in a day. This is certainly not justified, since before the tourist had to pay admission or free to be able to enjoy the beauty and uniqueness of this attraction in Besakih. With the illegal payments (extortion) by people around the government ought to immediately seek solutions and policies that can benefit all parties be it the government, local residents and tourist visiting the future. It’s not an easy thing to solve any of the problems faced but there is need for synergy between the Regional Government with locals so that the area can become better.
4.3 Disease society (Beggars)
Regarding begging (begging Children) is also important to be addressed so that social problems can be resolved. In the laws in indonesia if the parent or the agency or someone mengeksplolitas children under the age of personal benefit, certain groups maybe subject to civil and criminal penalties. Therefore, empowering the community around it must soon be improved and developed and implementd good policies and mutually benefit from each other. After this social persoalan can be overcome, this can lead to comfort and the arrieval of the tourist who visit Pura Besakih and the more advanced, due to the many tourist that the file will automatically around the economy can be helped by selling or selling in the region or area tour Besakih. As it knows that the persoalan of cultural heritage tourism is the intergration of cultural heritage and trourism management in the process that produces an attractive tourism products/attract tourists while also conserving cultural heritage value. Cultural heritage travel enthusiasts among others to seek experience/local knowledge on the history, language , culture, economy, environment, respect for diversity. Tourism is resources of original cultures thar are able to foster a good relationship with a local resident or fellow.
Tourism can b a very commercial, but also have a negative impact on the tourist area. Tourism should be able to develop cultural heritage assets as the main attraction in tourisme. But there is a need to understand the use of cultural heritage asset as a tourist attraction that is to understand the context and understand the setting / environment (socio-cultural and developmental level) of the tourism industry. Besides the need to understand the character of each asset (place and cultural spaces) so that the development and progress of the world of tourism can be the better. Developing partnerships and community participation should also be developed so that people around and friends can meet each other and work together so it can be profitable. Know HR and financial stakeholders, the setting up and local communities.
This is supposed to be invested in the management of Besakih attraction, if managed properly and avoid problems that come from surrounding communities can be resolved. Control needs to be done and set up again to over management can be improved and developed. Like the author’s observation during a visit at the Pura Besakih it is cleary visibleand that’s why the authors are interested in the theme of this in order to benefit the general public and can be implemented in other attractions.
4.4 Partnerships and Promotions
In the developing world needed tourism partnership or synergy with institutions or public and private companies to develop tourism certain areas. The criteria of an effective partnership that has the type of leadership with sufficient leadership capacity, mutual compromise, mutual respect, compromise on common goals (common agenda) what do w agree together. Common goal which is the starting point for the establishment of understanding and agreement in expand world tourism, mutual understanding towards the situation a “win-win” situation synergistic partnering on all parties to feel the benefit of the partnership is the synergy in the field of tourism.
In addition there are several principles of partnership that is a partnership of mutual trust can never flourish when suspicion arises. While mutual respect should be cultivated in all the atmosphere and mutual respect, and the realization that only by cooperating and collaborating is to be achieved with the agreed objectives. Mutual benefit is that we have to be mutually beneficial and in all the fields so that neither party feels aggrieved. If the partnership are the aggrieved parties, the partnership efforts ineffective and could be said to have failed.
In the process there is a barrier of partnerships in the synergy of the mendasar problems is not building effective partnerships among others due to the low level of confidence in the bureaucratic culture often becomes another limiting factor for the development of many new and innovative initiatives including the launch partnership with other stakeholders, the organizational structure Rigid, funding systems and planning systems are covered. It is to note that every obstacle in building a partnership or synergy can grow in line with expectations and the ultimate goal of all parties concerned.
Development does not stop at building a partnership or synergy but need marketing help travelers access; providing information assistance; provide promotional assistance, develop a network of tourism helps identify tourist and can help to improve the service and comfort in visiting attractions. In this case the main beam writer is Besakih attractions that need to be fixed and still developed. With more advanced technology should assist in correcting or improving tourists to visit attractions such as the Pura Besakih. Innovation and the use of technology can help promote and introduce the tourism certain areas which can be web there are various attractions and can be a starting point for tourists who want to visit.
CHAPTER V
CONCLUSION AND RECOMMENDATIONS
5.1 Conclusion
On the visit of the PLP activity this time we got a wide range of information about the world of tourism. This is not apart of the experience gained during the last PLP activities. A lot of useful experience one of which is the experience of being a tourist guide not only to master foreign languages but must be able to understand the history of the place attraction. Besides, we get an interesting experience while traveling and implementation of PLP this time, it is interesting and full of beauty clearly presented throughout the trip and our visit in Bali and Yogyakarta.
As we know that Bali is the main magnetic field of tourism in Indonesia. The appeal of the advanced world that Bali tourism as well as its natural beauty and unique culture that attracts tourists to visit Bali. The government's role to promote Bali to the world both in the international and domestic. Bali's main income is derived from the tourist sector so that if the world is good and advanced Bali tourism Bali's economy will be developed as well, while if the world of tourism retreat then of course the economy was going backwards too. For the future of Bali should not have to always rely on from the tourism sector but also other sectors should be developed so that Bali could stand not only of taourism alone but also from other sectors.
5.2 Saran
Bali Island is one of the most famous islands in the world. we have to maintain and preserve it. In order for the cultures that we have not claimed by other countries.
because the cultures that exist in Indonesia is an asset to our country.
because the cultures that exist in Indonesia is an asset to our country.
5.2.1 Leadership and Museums Struggle Diparda Bali
Community empowerment and also it is necessary synergies to be developed so that it can keep moving forward from time to time. If the economic situation better then poverty will automatically be resolved properly. Quality improvement of the quality of infrastructure services such as advice and tourist should remain encouraged so that the tourists can be more comfortable and able to enjoy the trip well and in line with expectations. Improvement and resolution of existing problems should be resolved and addressed properly so there is no buildup of the greater problem.
5.2.2 Leader-ABA STBA YAPARI Bandung
This jadwal should be maintained and should be increased both attractions are varied and certainly more interesting. PLP jadwal or can be said to be equal to HSE especially the goal of Bali are characteristic or one good jadwal STBA Yapari ABA Bandung. For the purpose of attraction and also the main purpose eg Yogyakarta Bali-this time for the implementation of the PLP and the PLP for the coming year can be varied again as Bali-Lombok-Semarang, but not that easy to make it happen and it certainly needs the cooperation of all parties so that from year the year of implementation, the better the PLP.
5.2.3 Executive, Chairman and Advisor LP3M
For the executive (committee PLP), Chairman and Advisor LP3M I say thank you for his efforts and the need for successful execution this time PLP and mentors who have provided input and knowledge of tourism that will be very useful for us to be engaged in the world tourism . For the implementation of the upcoming PLP is expected to remain filled from the experience and also the lack of implementation of the PLP ago so for the future implementation of the PLP will get better and be better than the running PLP ago.
5.2.4 Leadership Transportation, Accommodation, Catering, Attractions and Tourist Attractions.
There is a term "customer happy we were happy", it should be noted by the leaders transportation, accommodation, catering, attraction and tourist attractions in providing services so that customers can be satisfied for all services provided. Regarding attractions and tourist attraction to continue to provide quality and also the presentation of the attraction of each performance so that it can make the audience and the audience has to settle so they can make the tourists come again.
Bibliography
1. Anak Agung, I Gede. (1991). Bali - the social status. Torch Foundation: Jakarta
2. Agung Wijaya. (2000). Regional Tourist Attraction in Indonesia. Scholastic Reader: Jakarta.
3. Candra, Michele. (2005). Bali Island, Bali as the island Encyclopedia. Scholastic Reader: Jakarta.
4. Directorate General of Tourism, (1986). Domestic Travel Handbook. Directorate General of Taxation: Jakarta
5. Directorate General of Tourism, (1993). Indonesia Know Ten Travel Destination Region. Directorate General of Taxation: Jakarta
6. Marbun, Sprachdipl. (1993). Tourism Indonesia at a Glance, STBA Yapari - ABA Bandung: Bandung.
0 Response to "Visiting Bali By Sri Lestari"